220 Royalty-Free Audio Tracks for "Low Frequency"

A bunch of birds (sparrows, blackbirds, swallows and some more) singing in glorious stereo. No low frequencies, just birds.

This is the sound of wind as generated by my naturalnoisegen program. Naturalnoisegen uses several timed generators to produce complex natural noises. In this case, 80 low-frequency generators were used.

Could be used as moving sounds for something large or machine-like. Produced by manipulating this sound: http://www. Freesound. Org/people/soundcollectah/sounds/158479/.

Low pitch static which reminds me of 1950s sci-fi television. Created by filtering a static wave from an analog radio then slowing the pitch and adding a mechanization effect.

Handy h2 zoom 4ch recording of supermarket checkout line. Hum is from refrigerator units nearby. Try using eq to rolloff the low end frequency hum of the refrigerator.

I simply generated a risset drum in audacity with all the default settings, except the frequency is 50. A really powerful sound, but only if you have a good sub woofer.

This is a trnsformation of the original sound: http://freesound. Org/people/ricemutt/sounds/23933/ , with the parameters:. For synthesis:window type: blackmanwindow size: 801fft size: 1024minimum f0: 100maximum f0: 2500number of harmonics: 20 (we don't need too many harmonic here)threshold: -100stochastic decimation factor : 0. 1minimum sine duration : 0. 1. For transformation :frequency scaling factors : [0,1,0. 4,1,0. 6,0. 9,1. 0,0. 5,1. 2,0. 3,1. 4,0. 6] <- (make frequency variation steady)frequency stretching factors : [0,2,0. 5,1,0. 51,0. 7] <- (create a frequency variation, high->low )timbrepreservation : 1 <- (no change)time scaling factors : [0, 0, 0. 8, 1. 5,1. 0,2] <- (make some "free fall" feeling).

Yet another "low, bassy thing". Will sound better once downloaded as the preview function sometimes adds compression artifacts. This one is loopable and might produce a mildly stupefied mental state in some listeners. So if you go and load it into your ipod don't try operating a vehicle or playing with power tools.

Played with shaping low-frequency noise and speeding it up, made a nice, usable cymbal. Here it is without compression/increased speed.

Synth phrase in d minor. Looped and used many times in live performance as a pad, kind of a drony texture with delays.

The sound of birds singing in springtime in a suburban forest. It was recorded with the internal microphones of sony pcm-d100 and then filtered to remove low-frequency rumble.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded and processed at 24bit 48khz using a rode nt1-a condenser microphone. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Footsteps in wet coarse sand, close up, some steps in water. Little low frequency boom noise should be remove. France, 2009. Recorded with schoeps cmc6 mk41recorded on soundddevice 744twave mono, 16 bits, 48khz.

The interference produced at the low (left) end of the radio dial on a jambox set up close to a dvd burner while in operation. Sound rises and falls as the burner writes to disc.

I first generated a sinusoid at 440 hz with audacity, i then changed the pitch to f#/gb low and i applied a tremolo effect wetness 40% and a frequency of 4. 0 hz. We can also ear crossfades in and out.

Heavily compressed heartbeat taken from a sample after jumping jacks. . . Starting at approx. 180 bpm, then quickly slowing to 0.

Low frequency predominant. Rumbling and whistling intense but slightly distant winds. Probably better as an interior p. O. V. Could be used as wind inside a cave, or observing outside winds from a sheltered space.

Using internal suboscillator to fm modulate the frequency of xpo wavefolded low frequency outputs (stereo). Sequenced by 0-ctrl. Rumbling beats. Suitable for underlying deep trance and stuff. Rendered in reaper @48khz 32-bit fp with markers for all you morphagene fans out there. Enjoy rolling in the rumble!.

Recorded and processed at 24bit 48khz using a rode nt1-a condenser microphone. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

I created this sound with additive synthesis ,using different eg`s and five different sounds for low ,middle and high harmonics. The pluck noise is a filtered noise at the resonance frequency of 523 hz.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

A close-up recording using the m/s technique. It is the recording of a simple small-sized fan. I really liked the low-frequency sounds it generated when i got the mic close. All my sounds are public domain and can be used by anyone in any way they want. You can support me here: https://www. Buymeacoffee. Com/chrd.

This helicopter sound design was created at fl studio, in the sytrus synthesizer. The sound consists of four layers. 1. Sine wave frequency of 44 hz. Simulates the low frequency noise of propeller blades. 2. White noise passed through the svf filter. Simulates the noise of propeller blades. 3. Saw wave. Simulates the sound of an engine. 4. The sine wave. Imitates a high-frequency whistle of the engine. Various modulations are applied to all waves through the envelopes of the synthesizer. Next, the signal on the mixer channel is processed by a multi-band exciter and equalizer. Then a signal was sent to two channels with delay processing. One of them imitates reflections. In the lower-middle frequency range. On the second in the upper-middle frequency range. As you approach the sound source, the volume parameters of the direct and reflected signals are automated, low pass filter, pan width and equalization of direct sound. The helicopter performs strange maneuvers, as if making constant circles during the approach to the listener. I did not seek to create the veracity of these maneuvers.

Sound of the tip of a retracted pen being scraped and run over my hand. There is the odd squeak of the plastic against the skin. Some minor processing has been applied to cut the really low frequency sounds (sub 200hz).

This clean flame flicker was created by vari speeding a fast cloth flap, the wav was further processed to remove some low frequency. Please look at my website sfxmix. Com and contact me directly for you dialog cleaning and sfx/ foley needs.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recording of a bosch refrigerator. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Opening a zippo lighter, lighting it, and closing the lid. Separated into separate actions, removed a low-frequency rumble from some of the sounds. Recorded in a small shed, zoom h2.

This is a 2 bar 120 bpm bassline with one dry and one wet play thru. The effect on the wet half is a simple filter morph, raising the cut-off on a low-pass filter thru-out the loop.

Waves on a winter beach. It may be good for those who love nature ambiances. I used audio-technica bp4025 half plunged into my bag, which sometimes masks right channel. A distant ship makes slight low frequency hum. Korg mr-2.

H4n recording of an automated vibrating mirror surface at an art event. The vibration responds to the proximity of objects, thus the wavering in intensity. - i use this one a lot, i'd love to know what you do with it -.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

A wind sound created with a white noise generator and a low pass filter on my console. I played with the cutoff frequency and a few eq peaks to vary the sound. Recorded at 44. 1k 16bit in stereo.

Made from a tom drum i created with xfer serum in reaper. Rendered the instrument as audio, then, sampled a small section of the tom and looped it infinitely to create a static frequency. Then i added the reapitch vst and created a smooth automation curve down to -24 semitones. Lastly, i added a short fade in and long fade out.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

For sound effect, or a bit of rhythm. I happened to record this sound without knowing after i had done some field recordings. I hope low frequency sounds abundantly on your devices. My small speakers don't. Recorded with at825 and fr-2.

Starts and ends with trains arriving overhead into ueno station, then general market atmos with male spruikers. Recorded in the ameyoko markets in tokyo in may 2008 using a zoom h4. Unprocessed apart from a low frequency cut.

This is a short and low frequency sound produced by an unfixed tile placed in front of the canteen of the upf campus poblenou. This sound was recorded with an edirol r-09 hr portable recorder placed close to the floor.

Mix-up of various sounds to create the ambiance of a nuclear implosion. Good for using in spacial environments. This one is the low frequency version. Both of them can be played simultaneously to variate the effect.

Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

I recorded the rain in brooklyn and wanted to make a blade runner kinda vibe for sleeping, there's a helicopter in there too, i threw in some low-frequency kinda whale/space ship noises.

I used 2 low frequency operators (lfo) on a low pass filter (24db) on a generic pink noise sound with medium resonance settings, one of these lfo's was manipulating the other one with a random ramp, to make it sound more diverse and realistic. I put an aditional long envelope on the q (resonance) also, not to mention some chorus at a low tempo to make it kinda binaural with a stereo delay at a short time setting. . . I hope you enjoy it!.

This was produced by tapping on a stethoscope which had an earbud pressed against a shure sm57 mic. Low pass filter applied, as well as compression and a gate. Chorus added. Used a recording cassette deck as a preamp going into an m-audio audiophile usb soundcard. Note: if you're having problems listening to this clip, the cutoff frequency of your speaker set may be too high(solution: new speakers). The signal strength exists almost entirely in the very low frequencies, so you may need a sub-woofer to hear it. Otherwise, try turning your speaker volume all the way up. Doing so may saturate the signal and at least allow you to hear the harmonics of the signal caused by the distortion. I don't recommend it, but you'll at least maybe be able to hear something.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.